Poems for October 2012

Rainer Maria Rilke
(1875 – 1926)

Archaic Torso of Apollo

We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.

Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast’s fur:

would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.

“Archaic Torso of Apollo” by Rainer Maria Rilke, translated by Stephen Mitchell, in The Selected Poetry of Rainer Maria Rilke, published by Vintage International, © Stephen Mitchell, 1989. Reprinted with permission.

–

Mary Oliver
(1935 – )

Long Black Branches

Have you ever tried to enter the long black branches
of other lives —
tried to imagine what the crisp fringes, full of honey,
hanging
from the branches of the young locust trees, in early morning,
feel like?

Do you think this world was only an entertainment for you?

Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over
the dark acorn of your heart!

No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!

Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?

Well, there is time left —
fields everywhere invite you into them.

And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?

Quickly, then, get up, put on your coat, leave your desk!

To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!

To set one’s foot in the door of death, and be overcome
with amazement!

To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,
to the tippets of the honeysuckle, that have opened

in the night

To sit down, like a weed among weeds, and rustle in the wind!

Listen, are you breathing just a little, and calling it a life?

While the soul, after all, is only a window,

and the opening of the window no more difficult
than the wakening from a little sleep.

Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe

I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.

For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!

A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.

Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?

And I would touch the faces of the daises,
and I would bow down
to think about it.

That was then, which hasn’t ended yet.

Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.

I climb, I backtrack.
I float.
I ramble my way home.

“Long Black Branches” by Mary Oliver from West Wind: Poems and Prose, published by Mariner Books. © Mary Oliver, 1997.

Poems for July 2012

Mary Oliver

The Summer Day

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean–
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down,
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.

I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

“The Summer Day” by Mary Oliver, from The Truro Bear and Other Adventures: Poems and Essays © Beacon Press, 2008.

–

Mark Doty

Brilliance

Maggie’s taking care of a man
who’s dying; he’s attended to everything,
said goodbye to his parents,

paid off his credit card.
She says Why don’t you just
run it up to the limit?

but he wants everything
squared away, no balance owed,
though he misses the pets

he’s already found a home for
— he can’t be around dogs or cats,
too much risk. He says,

I can’t have anything.
She says, A bowl of goldfish?
He says he doesn’t want to start

with anything and then describes
the kind he’d maybe like,
how their tails would fan

to a gold flaring. They talk
about hot jewel tones,
gold lacquer, say maybe

they’ll go pick some out
though he can’t go much of anywhere and then
abruptly he says I can’t love

anything I can’t finish.
He says it like he’s had enough
of the whole scintillant world,

though what he means is
he’ll never be satisfied and therefore
has established this discipline,

a kind of severe rehearsal.
That’s where they leave it,
him looking out the window,

her knitting as she does because
she needs to do something.
Later he leaves a message:

Yes to the bowl of goldfish.
Meaning: let me go, if I have to,
in brilliance. In a story I read,

a Zen master who’d perfected
his detachment from the things of the world
remembered, at the moment of dying,

a deer he used to feed in the park,
and wondered who might care for it,
and at that instant was reborn

in the stunned flesh of a fawn.
So, Maggie’s friend?
Is he going out

Into the last loved object
Of his attention?
Fanning the veined translucence

Of an opulent tail,
Undulant in some uncapturable curve
Is he bronze chrysanthemums,

Copper leaf, hurried darting,
Doubloons, icon-colored fins
Troubling the water?

“Brillance” by Mark Doty, from My Alexandria © Mark Doty 1983.

Poems for February 2011

Alicia Suskin Ostriker
(1937 – )

Lymphoma

I come from visiting my once-blonde
friend in hospital with non-Hodgkin’s
lymphoma the chemo is working

we chat about other women’s husbands
suffering from Parkinson’s
we laugh cry hug we feel a little lucky

down the hall an attendant rolls a gurney
yellowish old man skull glares
from under a blanket

now how in hell do I get out
can’t find elevator or stairs
despite red neon EXIT signs everywhere

–

Mary Oliver
(1935 – )

Bone

1.

Understand, I am always trying to figure out
what the soul is,
and where hidden,
and what shape –
and so, last week,
when I found on the beach
the ear bone
of a pilot whale that may have died
hundreds of years ago, I thought
maybe I was close
to discovering something –
for the ear bone

2.

is the portion that lasts longest
in any of us, man or whale; shaped
like a squat spoon
with a pink scoop where
once, in the lively swimmer’s head,
it joined its two sisters
in the house of hearing,
it was only
two inches long –
and thought: the soul
might be like this –
so hard, so necessary –

3.

yet almost nothing.
Beside me
the gray sea
was opening and shutting its wave-doors,
unfolding over and over
its time-ridiculing roar;
I looked but I couldn’t see anything
through its dark-knit glare;
yet don’t we all know, the golden sand
is there at the bottom,
though our eyes have never seen it,
nor can our hands ever catch it

4.

lest we would sift it down
into fractions, and facts –
certainties –
and what the soul is, also
I believe I will never quite know.
Though I play at the edges of knowing,
truly I know
our part is not knowing,
but looking, and touching, and loving,
which is the way I walked on,
softly,
through the pale-pink morning light.

Poems for December 2010

Paul Zimmer
(1934 – )

Lester Tells of Wanda and the Big Snow

Some years back I worked a strip mine
Out near Tylersburg. One day it starts
To snow and by two we got three feet.
I says to the foreman, “I’m going home.”
He says, ”Ain’t you stayin’ till five?”
I says, “I got to see to my cows,”
Not telling how Wanda was there at the house.
By the time I make it home at four
Another foot is down and it don’t quit
Until it lays another. Wanda and me
For three whole days seen no one else.
We tunneled the drifts and slid
Right over the barbed wire, laughing
At how our heartbeats melted the snow.
After a time the food was gone and I thought
I’d butcher a cow, but then it cleared
And the moon come up as sweet as an apple.
Next morning the ploughs got through. It made us sad.
It don’t snow like that no more. Too bad.

–

Mary Oliver
(1935 – )

White Owl Flies Into and Out of the Field

Coming down out of the freezing sky
with its depths of light,
like an angel, or a Buddha with wings,
it was beautiful, and accurate,
striking the snow and whatever was there
with a force that left the imprint
of the tips of its wings — five feet apart —
and the grabbing thrust of its feet,
and the indentation of what had been running
through the white valleys of the snow —
and then it rose, gracefully,
and flew back to the frozen marshes
to lurk there, like a little lighthouse,
in the blue shadows —
so I thought:
maybe death isn’t darkness, after all,
but so much light wrapping itself around us —

as soft as feathers —
that we are instantly weary of looking, and looking,
and shut our eyes, not without amazement,
and let ourselves be carried,
as through the translucence of mica,
to the river that is without the least dapple or shadow,
that is nothing but light — scalding, aortal light —
in which we are washed and washed
out of our bones.

Poem for the Autumnal Equinox 2010

Mary Oliver (1935 – )

Fall Song

Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries – roots and sealed seeds
and the wanderings of water. This

I try to remember when time’s measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay – how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.