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Posts Tagged ‘David Whyte’

Poems for July 2013

Posted by mcdoc on July 15, 2013

Galway Kinnell
(1927 – )

Why Regret?

Didn’t you like the way the ants help
the peony globes open by eating the glue off?
Weren’t you cheered to see the ironworkers
sitting on an I-beam dangling from a cable,
in a row, like starlings, eating lunch, maybe
baloney on white with fluorescent mustard?
Wasn’t it a revelation to waggle
from the estuary all the way up the river,
the kill, the pirle, the run, the rent, the beck,
the sike barely trickling, to the shock of a spring?
Didn’t you almost shiver, hearing book lice
clicking their sexual dissonance inside an old
Webster’s New International, perhaps having just
eaten of it izle, xyster, and thalassacon?
Forget about becoming emaciated. Think of the wren
and how little flesh is needed to make a song.
Didn’t it seem somehow familiar when the nymph
split open and the mayfly struggled free
and flew and perched and then its own back
broke open and the imago, the true adult,
somersaulted out and took flight, seeking
the swarm, mouth-parts vestigial,
alimentary canal come to a stop,
a day or hour left to find the desired one?
Or when Casanova took up the platter
of linguine in squid’s ink and slid the stuff
out the window, telling his startled companion,
“The perfected lover does not eat.”
Didn’t you glimpse in the monarchs
what seemed your own inner blazonry
flapping and gliding, in desire, in the middle air?
Weren’t you reassured to think these flimsy
hinged beings, and then their offspring,
and then their offspring’s offspring, could
navigate, working in shifts, all the way to Mexico,
to the exact plot, perhaps the very tree,
by tracing the flair of the bodies of ancestors
who fell in this same migration a year ago?
Doesn’t it outdo the pleasure of the brilliant concert
to wake in the night and find ourselves
holding hands in our sleep?

“Why Regret?” by Galway Kinnell from Strong Is Your Hold, ©2006 Harcourt Mifflin.

David Whyte
(1955 – )

What to Remember When Waking

In that first hardly noticed moment in which you wake,
coming back to this life from the other
more secret, moveable and frighteningly honest world
where everything began,
there is a small opening into the new day
which closes the moment you begin your plans.

What you can plan is too small for you to live.
What you can live wholeheartedly will make plans enough
for the vitality hidden in your sleep.

To be human is to become visible
while carrying what is hidden as a gift to others.
To remember the other world in this world
is to live in your true inheritance.

You are not a troubled guest on this earth,
you are not an accident amidst other accidents
you were invited from another and greater night
than the one from which you have just emerged.

Now, looking through the slanting light of the morning window
toward the mountain presence of everything that can be
what urgency calls you to your one love?
What shape waits in the seed of you
to grow and spread its branches
against a future sky?

Is it waiting in the fertile sea?
In the trees beyond the house?
In the life you can imagine for yourself?
In the open and lovely white page on the waiting desk?

“What to Remember When Waking” by David Whyte from The House of Belonging, Many Rivers Press © 1999 David Whyte.

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Poems for April 2012

Posted by mcdoc on April 13, 2012

Wesley McNair
(1941 – )

Old Guys

Driving beyond a turn in the mist
of a certain morning, you’ll find them
beside a men-at-work sign,
standing around with their caps on
like penguins, all bellies and bills.
They’ll be watching what the yellow truck
is doing and how. Old guys know trucks,
having spent days on their backs under them
or cars. You’ve seen the gray face
of the garage mechanic lying on his pallet, old
before his time, and the gray, as he turns
his wrench looking up through the smoke
of his cigarette, around the pupil
of his eye. This comes from concentrating
on things the rest of us refuse
to be bothered with, like the thickening
line of dirt in front of the janitor’s
push broom as he goes down the hall, or the same
ten eyelets inspector number four checks
on the shoe, or the box after box
the newspaper man brings to a stop
in the morning dark outside the window
of his car. Becoming expert in such details
is what has made the retired old guy
behind the shopping cart at the discount store
appear so lost. Beside him his large wife,
who’s come through poverty and starvation
of feeling, hungry for promises of more
for less, knows just where she is,
and where and who she is sitting by his side
a year or so later in the hospital
as he lies stunned by the failure of his heart
or lung. “Your father” is what she calls him,
wearing her permanent expression
of sadness, and the daughter, obese
and starved herself, calls him “Daddy,”
a child’s word, crying for a tenderness
the two of them never knew. Nearby, her husband,
who resembles his father-in-law in spite
of his Elvis sideburns, doesn’t say
even to himself what’s going on inside him,
only grunts and stares as if the conversation
they were having concerned a missing bolt
or some extra job the higher-ups just gave him
because this is what you do when you’re bound,
after an interminable, short life to be an old guy.

David Whyte
(1971 – )

Sometimes

Sometimes
if you move carefully
through the forest

breathing
like the ones
in the old stories

who could cross
a shimmering bed of dry leaves
without a sound,

you come
to a place
whose only task

is to trouble you
with tiny
but frightening requests

conceived out of nowhere
but in this place
beginning to lead everywhere.

Requests to stop what
you are doing right now,
and

to stop what you
are becoming
while you do it,

questions
that can make
or unmake
a life,

questions
that have patiently
waited for you,

questions
that have no right
to go away.

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